I have a nice old-fashioned monochord that I often use to teach music theory. Contemplation of the relationship between number and pitch led me to write this little piece, based on the primes between 1 and 100. It’s delightfully grating.

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The movie based on John A. Keel’s book The Mothman Prophecies was released in 2002; the Fortean Times marked the occasion with a special issue. I contributed a biography and bibliography of Keel, and an interview conducted with the assistance of George Kuchar and Dr. Mamie Caton.

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In 2007, I was an artist in residence at NYC’s venerable downtown theater Dixon Place. I put together a program of musical curiosities, based on similar shows I’d done for the INFO FortFest and the Fortean Times UnConvention. The program included music by Rameau’s Nephew, Lewis Carroll, and the Count of Saint-Germain; an odd tune […]

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“The Muscatel Suite,” three movements of it, often showed up in my shows in the ’80s. Here’s the beginning.

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This realization of Mozart’s “Musical Game in C” (K.516f) was written for an evening organized by the Cannery Works on Mozart’s birthday, January 27, 2005. Mozart’s piece gave the materials to construct minuets on the names of his friends; I applied it to “Cannery Works,” and harmonized the result.

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