Helen Dannenberg put on a concert of her dances at the Margaret Jenkins Dance Studio, in San Francisco, in November 1982.  I provided music for “Fine Wishes, Fine Dances, Good Life, Good Luck,” drawing upon a large assortment of percussion instruments and noisemakers.

[Read more →]

Michael Smith developed a children’s show in the ’90s, and I was invited to provide music.  I loaded a piano with percussion and sound effects, and had a fine time.  A number of people were also on board through its many changes, including that notable puppeteer, Alison Mork.  Mike and I decided at some point […]

[Read more →]

There were many variety/performance/music series in downtown Manhattan in the ’90s.  This one was hosted by that excellent cartoonist, R. Sikoryak.  I sang my songs, with Carol Benner playing obbligati on the viola; we were bracketed with that excellent writer, David Sedaris.

[Read more →]

Viola and organ is a particularly dense and doleful combination; here they go through quite a lot together.

[Read more →]

The second string quartet consists of four rounds: two that were originally vocal, and two that weren’t. Bass lines and other niceties are sometimes added.

[Read more →]

In 1982, I wrote music for Cortland Set, a dance by Margaret Jenkins.  The score was based on the poetry of Michael Palmer: part of it was a tetrachordal setting of his words, and part was piano music developed from the same material.  

[Read more →]

I’ve written a number of drone pieces for organ; this is one of them (that is, the beginning of one of them).

[Read more →]

[Read more →]

The Regard of Flight appeared at the Great Lakes Festival in Cleveland in 1987.  It was a busy year for that show. Here’s a review.  I’ve been called many things, but I’d never before been compared to an Arrow collar ad.

[Read more →]

I’ve written several rounds on the verses of Robert Herrick.  They seem quite suited for that.  Here’s one of them.  

[Read more →]