In 2003, The Signature Theatre presented a series of three productions by Bill Irwin; I wrote the music for two of them. The Regard Evening was the second. The first half was a shortened version of our old show, The Regard of Flight; the second a sequel, showing the characters twenty years later. We were performing The Harlequin Studies seven times a week, and spending our days reconstructing the old show, and trying to come up with the sequel. It wasn’t easy. Still, the show was received well, and we were extended, providing welcome employment.
